
Broadcasters: Head-Space Farmers in a New Ant Hill
By Barry Blesser
When I left the MIT faculty in 1978, I had the dream that I would return as an emeritus
professor when I was retired. A few days ago, I met an old colleague who had stayed on
the academic career path during the 35 years when I went off being a technical and
management consultant. As we talked about how our lives diverged, he described the
MIT of 2009, where students did not come to classes, where research was about money
not intellectual creativity and where the value system of teachers and students was
nothing like I remember.
An image came to mind: if I went back to MIT, I would be like an immigrant in an
unfamiliar culture. The MIT of 1969 now only exists in my mind. It is no longer a real
place.
Another question came to mind: what happened to the good old days? That common
phrase has the wrong emphasis. They were not necessarily good days, but they were
familiar and comfortable. We had adapted to a world, and like the fish in water, we did
not recognize the comfort that comes from a successful adaptation to our social medium.
If you have the opportunity to read some biographies of immigrants who moved from
one country to another in the 19th century, you might notice that those of us who are older
share a lot in common with these people even though we have not moved to a new
country. I have lived my entire life in two northeastern cities in the US. I did not move,
yet the culture changed under my feet; now, I too am an immigrant.
My observations are not new, but they highlight a more interesting concept; namely, we
live in changing social and cultural systems. They may be company systems, industry
systems, family systems, or economic systems.
What do I mean by a system? In some sense the answer is simple. A collection of small
elements (people or modules), when connected and interacting, create a personality for
the collection that is not located in any of the individual elements.
Think About Ants
A good example of such a system is that of an ant hill, a system composed of thousands
of individual ants. For one species, each ant has a one year life cycle, even though the ant
hill itself has a 10 year life cycle from initial founding to final abandonment. This raises a
question: where is the age of the ant hill located? How does each ant know to behave
differently depending on the age of the hill even though each ant is biologically identical
to every other ant?
The answer is both simple and complex. An ant that is born when the ant hill is two
years old responds to that ant-hill system in a predictable way. During the following year,
this generation of ants gradually changes the ant-hill system such that at the end of
second year, the system is in fact different from the beginning of that year. The next
generation of ants is born into a different system and thereby behaves differently.
The same holds for people. Each baby appears at a different stage of our cultural system
and adapts to a different world. This adaptation makes them different when they become
adults. Your kids, even if biologically identical to you as a kid, adapt to a different world
with a different cultural system.
The broadcast industry is a perfect example. An engineer entering that industry in 1920
is joining the early stage of founding an “ant-hill.” Those entering in 1950 were
contributing to growing and expanding a stable hill. Those entering in 2009 are now
contemplating abandoning the old hill to create a new one someplace else. These periods
are all different life stages of the broadcast ant hill, requiring different skills and
adaptations.
The ant hill story does offer another insight. Each ant only lives for a short amount of
time and the system is relatively stable for that year. For people in the 21st century, the
reverse is true. I have lived through some dozen life-cycles of the “ant-hills” of a
changing world. Hence, I become an immigrant as I move to new ant hills.
Time is Non-Linear
A more important principle is that of measuring time. It is neither linear nor consistent;
it should not be measured in years but as the percent of a cultural life cycle. For the
previous example, each ant lived for 10% of the ant-hill life cycle, a relatively small
percentage.
Until the 20th century, the same was true for people. In a small village many generations
would follow a slowly changing life cycle. You and your grandfather might have both
been blacksmiths or farmers. In the late 20th you were very unlikely to have had the same
career as your father. I have experienced more than a half-dozen cultural life cycles,
which for the ant, corresponds to repeatedly leaving a familiar ant hill and starting a new
one. My life span corresponds to 500% of a career system life-cycle, thus being an
immigrant 5 times over.
How does this apply to a broadcast industry? What is the relevant cultural system that
requires a rapid adaptation speed? We can understand the consequences of such cultural
shifts by examining one particular cultural choice that began with the 19th century
English middle class: consumerism on a large scale. This branch and the corresponding
sub-branches have produced dramatic changes in our cultural system. Over the following
centuries, large scale material consumption has become the economic engine that
replaced the traditional economies of food, clothing, shelter, and capital goods. In fact
historically, objects were almost always treated as capital goods to be preserved,
maintained, and passed along to successive generations.
Stay with me for a few more paragraphs. Mass consumerism requires an infrastructure
that can manipulate people into adapting to a buying mentality. And advertising is a
prerequisite for maintaining such an economic system. In 1950, my parents used their
electronic appliances for 20 years. Now, we (including me), routinely replace and
upgrade electronic systems; we collect DVDs, games, computers, televisions, automobile
entertainment systems, and so on. The life span of objects has changed from multi-
generations to a few years at best. To support an economy based on consumption requires
a culture to capture the attention of potential consumers: advertising.
During previous stages of our social ant-hill, all transactions were based on paying cash
for goods and services. Transactions are now based on selling head-space. Think of all
the new business models for which valuable services are nominally free, Google being
the obvious example. At one time, radio and newspapers were the only examples of
selling head-space in exchange for something useful. A large percentage of our economy
is now based on the transaction of exchanging head-space for goods and services. The
theory is that once you have sold your head you will buy goods, and that cash is then
used to support the system of capturing head space. The transaction is indirect.
The radio industry has become head-space farmers: harvesting the ears of helpless (or
willing) animals to be herded into consumption arenas. Broadcast engineers simply make
the farming process efficient. Unlike a century ago, there are now many companies
engaged in head-space farming; newspapers and broadcasting have found themselves to
be at a competitive disadvantage compared to new farmers using more sophisticated
tools. Some farmers are simply more efficient than others.
As long as our head-space farmers are sufficiently productive, broadcasting can afford
its traditional functions: paying reporters to risk their lives to cover major events around
the world such as hurricane Katrina or the war in Iraq. But when the economic margins of
our farmers get too thin, our industry has trouble affording the “luxuries” of an ant hill.
Many decades ago, televisions news departments were terminated, and those functions
were placed under entertainment executives. News and documentaries are still relevant
but only if they contribute to the farming process. And sometimes, activities are simply
loss-leaders to make our listeners incorporate radio into their lives. But directly or
indirectly, executives focus on selling head-space.
Implications
Having set the stage for this alternative viewpoint, we can begin to see that the
implications are vast and sweeping, influencing all aspects of modern live. While waiting
for the next article on this theme, try to analyze how the disruption of “free” in the
current economic storm has been rippling through every cultural system. Broadcasting is
simply one element in that very complex system.
This article was originally published on August 19, 2009 in the Radio
World Engineering Extra column "The Last Word." It
is reproduced here with the author's permission. You can download a PDF version of this article
Copyright ©2009 by Barry Blesser.
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